Although it is hard to tell, with all the new, state of the art, equipment we have, our company is 60 years old this year. It all started in 1955, when Cecil Ussery bought out another printing firm and formed Ussery Printing Company. Our first location was 3,800 square feet on Gaston Avenue. The entire firm, at that time, consisted of six employees and a delivery boy. Over the years we’ve moved several times, each time expanding our size and equipment list. It was in 1978 that we moved into our current location. Continued growth necessitated an additional building across the street from our main building.
Other printers in the DFW area have come and gone, but it is our philosophy that has kept Ussery on the path we are on today. As long as we treat our clients exactly how we would like to be treated ourselves, we continue to grow from repeat business and referrals. We know our success is due to you and we remember that every day. So thank you and we look forward to the next 60 years of delivering unsurpassed quality to North Texas and beyond.
At Ussery, our Large Format Printing Department seems to only be limited by the imagination of what we can now do. It has opened up a variety of applications that other offset or digital devices cannot match. Sheetfed printing can image onto pressure-sensitive materials, which can then be applied to rigid or unusual surfaces, but only large format printers allow us to image directly onto those surfaces.
The ability to print directly onto rigid substrates, objects such as doors, glass, or wood, gives us a way to increase productivity and decrease your cost on a variety of jobs. Let your own imagination run wild and contact us with your ideas! Or stop by and we’ll show you some of our creations.
This infographic, from our UK friends Print-Print, explores the subconscious association colors can have on customers and what differentiates the worlds biggest brands’ from one another. Color plays a huge part in the psychology of any brand, so getting it right is of paramount importance.
If you are in the Graphic Design, or Printing, World you probably have heard of Trish Witkowski, aka the @FoldingFanatic on Twitter. She has been providing weekly videos on her FoldFactory YouTube channel, that she calls her ’60-Second Super-Cool Fold Of The Week’, for some time now At last check she just released number 272. That is a lot of folding! These videos are a wonderful way to spur your creative juices. They range from very simple to fairly complex, and almost every one will leave you wondering “why didn’t I think of that?” So if you have missed out on these, not to worry, since the whole collection of these one minuted videos are waiting for your viewing pleasure. Enjoy!
Companies can save substantial amounts of money by eliminating the need for envelopes. The possibility of creating a self-mailer should be considered with any direct mail piece.
A self-mailer is simply a piece of mail that doesn’t require an envelope. All of the necessary mailing information is located on one of the outside panels.
Because self-mailers do not require envelopes, you must be more creative when designing the format, since you don’t have the luxury of an envelope to contain any extra sheets of printed material.
Here are some things to consider when designing a self-mailer:
- Will the delivery address be printed directly on the self-mailer, or will self-adhesive labels be used?
- The amount of written material in the self-mailer will determine the overall size of the mailer.
- Information needs to flow quickly and smoothly from the initial pitch to the fine print. The fewer words needed to convey your message, the better.
- The type of closure needs to assure safe passage through the mail. Staples are used often, but many people find them unappealing. Miniature self-adhesives are available in many colors, shapes, and sizes.
- If perforated sections are used, keep them in mind so that nothing can slip loose while being passed through the mail.
When we think of colors, we often think of many different shades of each primary color. Take blue for example…it can vary between colors such as baby blue, aqua, turquoise, teal, royal blue, or navy blue.
Many people would assume that the one exception to these color variations is black. After all, we think of black as being absolute darkness, and expect it to appear this way when printed on a document as well. However, black that is used in full-color (process) printing is transparent, like all process inks, and cannot cover ink or paper as thoroughly as you may like.
Although using an opaque black ink may seem like a simple solution, it would cause adverse reactions to other color or high-res images that contain black ink. Instead, the wise choice would be to add various “enriched” process blacks to your color menus. Their use should vary according to how and where the black is applied.
Here are two types of enriched blacks to consider using:
- Rich black. Rich black combines process black with one other process ink (traditionally 100% black and 60% cyan), which causes the black to appear “blacker” because the second ink color increases its density. Use rich black whenever the edges of a black object are fully exposed, or when a black object straddles other image information. And remember, it’s only appropriate for objects that are at least a quarter-inch thick.
- Super black. By combining three process undercolors (50% cyan, 50% magenta, and 50% yellow), you can create the deepest, most satisfying process black you can reproduce on-press. Use super black only when all the object edges are within other colors, or when they bleed off the edge of the page.
Note: Because computer monitors cannot accurately duplicate printed results, the graphic illustrating the use of enriched black is meant only to give an approximation of the end result.